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Gregory Corso is the most intensely spiritual of the Beat generation poets and still by far the least explored. The virtue of Kirby Olson’s Gregory Corso: Doubting Thomist is that it is the first book to place all of Corso’s work in a philosophical perspective, concentrating on Corso as a poet torn between a static Catholic Thomist viewpoint and that of a progressive surrealist.

 

While Corso is a subject of great controversy—his work often being seen as nihilistic and wildly comic—Olson argues that Corso’s poetry, in fact, maintains an insistent theme of doubt and faith with regard to his early Catholicism. Although many critics have attempted to read his poetry, and some have done so brilliantly, Olson—in his approach and focus—is the first to attempt to give a holistic understanding of the oeuvre as essentially one not of entertainment or hilarity but of a deep spiritual and philosophical quest by an important and profound mind.

 

In nine chapters, Olson addresses Corso from a broad philosophical perspective and shows how Corso takes on particular philosophical issues and contributes to new understandings. Corso’s concerns, like his influence, extend beyond the Beat generation as he speaks about concerns that have troubled thinkers from the beginning of the Western tradition, and his answers offer provocative new openings for thought. 

 

Corso may very well be the most important Catholic poet in the American literary canon, a visionary like Burroughs and Ginsberg, whose work illuminated a generation. Written in a lively and engaging style, Gregory Corso: Doubting Thomist seeks to keep Corso’s memory alive and at last delve fully into Corso’s poetry.

• Sales Rank: #3506384 in Books
• Color: Grey
• Brand: Brand: Southern Illinois University Press
• Published on: 2002-08-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .90 pounds
• Binding: Hardcover
• 200 pages

Features

• Used Book in Good Condition

Review
“Use of me what you will . . . [and] good luck.”—Gregory Corso to Kirby Olson (March 14, 2000)

“Kirby Olson’s study of Gregory Corso will assuredly generate renewed interest in one of modern America’s neglected poets. He discovers the depths and intricacies of Corso’s work by examining the religious and philosophical underpinnings of his poetry.”—Michael Skau, author of “A Clown in a Grave”: Complexities and Tensions in the Works of Gregory Corso 

About the Author
Kirby Olson is the author of Comedy after Postmodernism: Rereading Comedy from Edward Lear to Charles Willeford and the translator of Remembering Anna O by Mikkel Borch-Jacobsen. He has taught at the University of Washington and the University of Tampere in Finland and is currently assistant professor of English at the State University of New York at Delhi.

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3 of 5 people found the following review helpful.
The Only Beat
By J. Caines
I take my hat off to Kirby Olson. He is the only critic in the entire USA who understands Corso and gives him the reverence that is his due.
Read Olson. Read Corso. God speed.

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• Published on: 1992
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This thoroughly new investigation into the theatre management competition be­tween the Drury Lane and Lincoln’s Inn Fields companies revises the established view of Thomas Betterton’s manage­ment abilities by documenting the fact that his competition with the Drury Lane company made both an immediate and a permanent change in the course of Brit­ish drama.

 

Judith Milhous’s meticulous investiga­tion of an astonishing range of reference which includes unpublished and partial­ly published documents in the Public Record Office of London, The British Library, and the Harvard Theatre Col­lection allows her to present a fresh as­sessment of the chaotic events of the 1695–1708 period and of the compe­tence of Thomas Betterton as manager of Lincoln’s Inn Fields theatre.

 

The breakaway of Betterton and some of the older actors from Drury Lane in 1695, the flood of new plays at the turn of the century, the rivalry between the new acting company at Lincoln’s Inn Fields and Drury Lane, and the result­ing competition for the playgoers’ atten­tion spawned an extravaganza of singers, jugglers, animal acts, and double bills. Despite great difficulties, Milhous shows, Betterton was able to bring about an accommodation that permitted the two acting companies to enjoy a period of modest prosperity and to exert a continuing influence on English drama and the organization of theatrical production.

 

This careful study of shifts, devices, and the fortunes of the years of rivalry between acting companies provides stu­dents of English theatre history and dra­ma with invaluable new insights into the practical factors that influenced the history of drama.

• Sales Rank: #4977260 in Books
• Brand: Brand: Southern Illinois University Press
• Published on: 1979-12-01
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.00" w x 6.13" l,
• Binding: Hardcover
• 304 pages

Features

• Used Book in Good Condition

About the Author

Judith Milhous is Associate Professor of Theatre History and Codirector of Theatre in the Department of Speech and Dramatic Art at the University of Iowa.

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Rochelle Wright provides the first historical overview and analysis of the manner in which Jews and other ethnic outsiders have been depicted in Swedish film from 1930 to the present.

Focusing on films produced in Sweden for primarily Swedish audiences, Wright analyzes how the portrayal of the relatively small Jewish minority has evolved over the years. She compares the images of Jews in Swedish film with those of other ethnic subcultures: long-term resident communities such as tattare (‘travelers’, an indigenous pariah group often confused with gypsies), Finns, the Sami, and recent immigrant populations such as Greeks, Italians, Turks, and Yugoslavians.

Wright’s cross-disciplinary approach to interrelated issues of ethnicity and national identity enables her to take advantage of the methodologies of historians and sociologists as well as those of literary and film critics. She bases her study on a detailed analysis of the films, but, by way of comparison, she examines filmscripts and literary sources. She also consults contemporary reviews, interviews with actors and directors, and biographies and memoirs as well as critical discussion among film historians.

Wright confronts important—and exceedingly difficult—social questions. She deals head-on with xenophobia, anti-Semitism, immigration, assimilation, ethnicity, multiculturalism, and the national self-image of Swedes as reflected in their cinema. She also analyzes the manner in which Swedish film represents the persecution of Jews in Nazi-dominated Europe.

• Sales Rank: #4985770 in Books
• Brand: Brand: Southern Illinois University Press
• Published on: 1998-12-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.50" w x 6.00" l, 2.00 pounds
• Binding: Hardcover
• 472 pages

Features

• Used Book in Good Condition

About the Author
Rochelle Wright is a professor of Scandinavian literature, comparative literature, cinema studies, and women’s studies at the University of Illinois, at Urbana-Champaign. Her books include Danish Emigrant Ballads and Songs and translations of two novels by Ivar Lo-Johansson, Breaking Free and Peddling My Wares.

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• Sales Rank: #4938111 in Books
• Brand: Brand: Gale Group
• Published on: 1992-12
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 8.75" w x 2.00" l,
• Binding: Hardcover
• 600 pages

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From Library Journal
This compilation explains the folklore surrounding 340 holidays in over 150 countries, excluding the United States. The contents section lists holidays in chronological order, and countries are arranged below each holiday. A four-page section entitled "Permissions" serves as a bibliography. Each holiday entry begins with a short, general description. A double-column, 80-page subject index is found at the back of the book. This is modeled after The Folklore of American Holidays , edited by Henning Cohen and Tristram Coffin ( LJ 4/1/87). American Holidays provides more comprehensive treatment (it contains five indexes, sources and comments, and much longer entries) of each holiday, although its scope is limited. School libraries will find this reference particularly useful.
- Ina M. Wise, Chicago
Copyright 1992 Reed Business Information, Inc.

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> PDF Ebook Television Drama Series Programming: A Comprehensive Chronicle, 1975-1980, by Larry James Gianakos

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Television Drama Series Programming: A Comprehensive Chronicle, 1975-1980, by Larry James Gianakos

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"...Gianakos has done for television what Roget did for the Thesaurus and Bartlett did for Familiar Quotations. He has codified the industry, brought order out of chaos, made sense of what for decades was insensible. He is a pioneer, and his works will have a significant effect for generations."-From the Introduction by Allan Kalmus

For more than a decade, Gianakos' truly comprehensive chronicles of American television have been considered classic references. This is the third volume in the long-anticipated 6-volume set.

The overview blends a thorough discussion of individual series and specials with a political, sociological, and psychological examination of the whole range of powerful images conveyed. As in past volumes, a "Days and Times" section covers virtually all that was of dramatic import on and off the major networks and cable. Following are sections on series initiated previously; series inaugurated during the current period; series not previously chronicled; and a cumulative index of series titles.

• Sales Rank: #5021821 in Books
• Brand: Brand: Scarecrow Press
• Published on: 1981-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.76" h x 1.19" w x 5.84" l, 1.51 pounds
• Binding: Hardcover
• 457 pages

Features

• Used Book in Good Condition

Review
If an Emmy Award were handed out each year for Best Television Reference Book, Larry James Giankos would probably be in the running for his sixth....Television historians will always owe a tremendous debt to him. (The Big Reel)

...a standard reference source that contains a tremendous amount of information not found elsewhere...absolutely essential for large research institutions with a stong subject collection in television. (Arba)

This is a must for libraries... (Communication Booknotes)

An essential reference series...the premier chronicler of video drama, Giamakos has produced a singular achievement...no research library should be without the set. (Choice)

...extraordinary... (Classic Images)

Most helpful customer reviews

2 of 2 people found the following review helpful.
Must Have For the TV Video Collector
By William Boswell
I purchased the first two books way back when they first came out (1959-1975 and 1975-1980) and I have found these two books to be more valuable in the age of TV Programs on DVD because they list not only the titles of programs, but the actors. And the order of episodes is especially helpful if you are recording rare TV shows.

I didn't know the author had more books out after 1980. I'm definitely interested because this author is very thorough and his books are a must have for anyone interested in early TV.

5 of 5 people found the following review helpful.
An amazing piece of work.
By DBW
This is THE reference for anyone, professional or amateur, who is writing an episode guide or just wants to have a list of the episodes of a given drama in airdate order. An invaluable resource, as shown by the number of Web-based episode guides that cite one or all of these volumes as references. For most TV series, Gianakos also critiques certain episodes, and puts the shows into the context of their time. The 1959-75 volume is my personal favorite, capturing the era I believe to have been TV's best. This is an inexplicably underrated series of books.

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Malcolm St. Clair was a master director of sophisticated silent comedy. This book traces his career, from his start as a Mack Sennett Keystone Kop, through the action-adventures of the early 1920s, his work with Buster Keaton, the grand and elegant sophisticated comedies for Paramount in the '20s (Are Parents People?, The Grand Duchess and the Waiter, Gentlemen Prefer Blondes, and The Canary Murder Case), his transition to sound films, and the comedies for 20th Century-Fox. Includes a 16 page photo insert.

• Sales Rank: #5581784 in Books
• Brand: Brand: Scarecrow Press
• Published on: 1997-03-20
• Original language: English
• Number of items: 1
• Dimensions: 8.74" h x .86" w x 5.82" l, 1.11 pounds
• Binding: Hardcover
• 296 pages

Features

• Used Book in Good Condition

Review
Dwyer...has done a fine job of researching this first study of St. Clair, interviewing his colleagues and studying his surviving film. (American Cinematographer)

The book is invaluable to researchers not only for a well-documented account of a "secondary" Hollywood figure...but also for insights into the people with whom he worked and the studio goings-on therein. (The Silent Film Monthly)

There are half-a-dozen books on Lubitsch, and doubtless there'll be more. But Mal, bless his heart, was our own native Lubitsch and deserved his own book. Luckily, now he has one―and it's definitive. (From the Foreword by William K. Everson)

About the Author
Ruth Dwyer (Ph.D., film studies/drama, University of Toronto) has taught film studies at McMaster University in Hamilton ON, but is now a full-time writer and filmmaker, writing and producing educational videos for children about art and architecture.

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