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Harry Fraser was a tried and true professional director who could be counted upon to bring a picture in on time and on budget. In fifty years in film and theatre, he worked with many important figures in motion picture history, particularly in westerns: Wild Bill Cody, Tom Tyler, Bob Steele, Gene Autry, Rex Bell, Tom Mix, Harry Carey, Buster Crabbe, Lash La Rue, William S. Hart, John Wayne, Yakima Canutt, and many others.
- Sales Rank: #4689521 in Books
- Brand: Brand: Scarecrow Press
- Published on: 1990-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.76" h x .61" w x 5.64" l, .81 pounds
- Binding: Hardcover
- 189 pages
- Used Book in Good Condition
Review
Interesting for its look at a side of Hollywood filmmaking not widely covered and as a personal narrative of a director who worked with some of the important western stars of their day. (Sightlines)
...a great piece of work....learned a great deal that I didn't know. (Buck Rainey)
...enjoyable reading...a good picture of what it was like for an actor and director from the early to mid point of this century. (Westerns And Serials)
...a gem....a fabulous glimpse of poverty row and the people who worked there....a must! (Big Reel)
About the Author
Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the new book series Quick Takes: Movies and Popular Culture for Rutgers University Press.
His recent books include Black & White Cinema: A Short History (2015); Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010); and Film Noir and the Cinema of Paranoia (2009).
Dixon's book A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; the book is a required text in universities throughout the world.
Most helpful customer reviews
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A short but very enjoyable visit with a battle-tested Hollywood veteran. 5 stars for Fraser, 3 stars for the presentation.
By Scott MacGillivray
Director Harry Fraser never thought of writing his memoirs because he thought nobody would want to read them. Happily, a B-Western fan gave then-octogenarian Fraser a tape recorder, so Fraser dictated his many memories for later transcription.
Harry Fraser was one of a select few silent-film hands (like William Beaudine, Elmer Clifton, Christy Cabanne, and Lambert Hillyer) who were considered "washed up" as A-list directors by the 1940s, but whose efficiency and professionalism guaranteed steady employment by low-budget producers. Fraser has dozens and dozens of features and serials to his credit, all made on the cheap, and he was always under enormous pressure to film as much as possible over a matter of days. And he enjoyed every minute of it, as you will discover in his chatty, anecdotal style.
Fraser has a wealth of show-business stories, from an early engagement as a whorehouse pianist to a George M. Cohan-produced musical comedy (in which Fraser appeared as Suzaretta, a Mexican señorita!). He opens the book with favorite stories of western actors he has known, then recalls his theatrical exploits, and then talks about his days on the B-movie assembly line. Fraser was sometimes called upon by desperate producers to complete a troubled shoot, or to write and produce in addition to directing. Fraser paints a vivid picture of the hectic, hurried conditions that were a way of life in the smaller studios. "In the Hollywood of those days," he recalled, "your crew worked together as a steamroller. If anything or anybody got in their way, they gave it a shove. You pushed them. They pushed you. And one way or another, they would always make up lost time." The book is filled with close shaves and narrow victories, as Fraser and his crews contend with desert locations in the middle of nowhere, wild animals, reckless stuntmen, nervous producers, absent box lunches, fast-buck exploitation opportunities, and other nuisances that were part and parcel of B-movie production. (Fraser's memory was sometimes faulty about details, so the heroine of Fraser's serial "Jungle Menace" is identified as Betty Bronson instead of Charlotte Henry. Fraser also tried to compile his filmography late in life, which was a challenge since he did remedial work on many projects without credit.)
Fraser's voice is heard in only 105 pages. Editor Wheeler W. Dixon prefaces the Fraser text with an academic, 36-page essay in which he summarizes, in scrupulous alphabetical order, the works and abilities of 41 B-Western directors -- which is interesting, but doesn't include any comparable estimation of Harry Fraser or Fraser's films! (This is rather appropriate, much like movie producers of the old days needing to coax a short feature up to a respectable length by adding extra material!) Dixon also makes occasional errors in transcribing Fraser's spoken accounts, so drama critic George Jean Nathan is cited as "George G. Nathan," actress Betty Compson is misheard as "Compton," ingenue Dorothy Gulliver is presented as "Gilabor," maestro Louis Silvers is called "Lou Silver." However, editor Dixon deserves credit for polishing and organizing the transcribed remarks, preserving the natural voice of Harry Fraser. Fraser's widow, Audrey Brown Fraser, contributed many rare photographs, which complement the text.
Fans of B-Westerns and B-movies in general will enjoy this unusual book. This writer enjoyed his visit with Harry Fraser so much that he went right back to the beginning and read the Fraser story again.
0 of 0 people found the following review helpful.
Interesting History of the Silent Era of Filmmaking
By Jake Stetler
Interesting history of a working director during the silent era of filmmaking. Book was in great condition.
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